- Aug 10 Tue 2010 13:43
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【日劇摘錄】日本人の知らない日本語
- Jun 23 Wed 2010 17:01
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N5 単語
こうばん
交番
警察派出所
せっけん
肥皂
ことば
言葉
話,語言
じゅぎょう
授業
講課,授課
くつした
靴下
襪
おまわりさん
巡警
くもり
曇
陰天
こうさてん
交差点
十字路口
さいふ
財布
錢包
じびき
字引き
字典
せびろ
背広
西服
だいどころ
台所
廚房
たて
縦
縱
ちず
地図
地圖
ちゃいろ
茶色
棕色,茶色
でぐち
出口
出口
とりにく
雞肉
にわ
庭
庭院
は
歯
牙齒
はいざら
灰皿
煙灰缸
ふうとう
封筒
信封
ほんだな
本棚
書架
むこう
向こう
另一邊,那邊
やおや
八百屋
蔬菜商
ゆうがた
夕方
傍晚,黃昏
ろうか
廊下
走廊
ズボン
褲子
セーター
毛衣
あつい
厚い
厚
あつい
熱い
(物件)熱
あつい
暑い
(天氣)熱
うすい
薄い
薄
きたない
汚い
骯髒的
くらい
暗い
昏暗,黑暗
ふとい
太い
粗
ほそい
細い
細
まずい
難吃
やさしい
易しい
簡單,容易
りっぱ
立派
優秀,出色
ちょうど
正
ちょうと
稍微,一點點
ときどき
時々
有時,時常
- Jun 21 Mon 2010 16:58
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酔っぱらった - drunk
<酔っぱらった>
普通: drunk
■会話例■
A: Are you drunk again?
また酔っぱらってるの?
B: No, I only had three beers.
そんなことないよ。ビールを3杯飲んだだけだよ。
■解説■
drunk は数多くある「酔っぱらった」を意味する形容詞の中で最も一般的なものです。intoxicated も「酔っぱらった」を意味しますが、こちらは固い表現で、口語ではあまり用いられません。
普通: drunk
■会話例■
A: Are you drunk again?
また酔っぱらってるの?
B: No, I only had three beers.
そんなことないよ。ビールを3杯飲んだだけだよ。
■解説■
drunk は数多くある「酔っぱらった」を意味する形容詞の中で最も一般的なものです。intoxicated も「酔っぱらった」を意味しますが、こちらは固い表現で、口語ではあまり用いられません。
- Jun 21 Mon 2010 16:40
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酔っぱらった - shit-faced
<酔っぱらった>
下品: shit-faced
■会話例■
A: You're looking shit-faced.
ベロベロじゃないの?
B: Yeah, I drank two bottles of wine.
ああ、ワインを2本空けたからな。
下品: shit-faced
■会話例■
A: You're looking shit-faced.
ベロベロじゃないの?
B: Yeah, I drank two bottles of wine.
ああ、ワインを2本空けたからな。
- Jun 21 Mon 2010 16:26
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酔っぱらった - have had too much to drink
<酔っぱらった>
上品: have had too much to drink
■会話例■
A: I think you've had too much to drink.
飲みすぎたんじゃないですか?
B: Yeah, I know. Could you drive me home?
ええ、そうですね。家まで車で送ってもらえませんか?
■解説■
「飲みすぎた」と言うことで、「酔っぱらった」ことを伝える婉曲表現です。
上品: have had too much to drink
■会話例■
A: I think you've had too much to drink.
飲みすぎたんじゃないですか?
B: Yeah, I know. Could you drive me home?
ええ、そうですね。家まで車で送ってもらえませんか?
■解説■
「飲みすぎた」と言うことで、「酔っぱらった」ことを伝える婉曲表現です。
- Mar 20 Sat 2010 21:39
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I'm engaged!
這篇文章受密碼保護,請輸入密碼後查看內容。
- Jun 15 Mon 2009 16:41
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[影音]The umbrella treatment
https://news.bbc.co.uk/1/hi/world/asia-pacific/8082613.stm
- Mar 18 Wed 2009 14:15
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☆Word Power★Love Connection
From Reader's Digest February 2009 p.27-8, by Emily Cox & Henry Rathvon
nuptial (adj.): Pertaining to a marriage.
Ex: Everyone at the church was elated to see Matilda sob happily as she recited her nuptial vows.
Casanova (n.): Man with many love affairs.
Ex: The singer is such a playboy, just like his famous Italian ancestor Giovanni Casanova.
rendezvous (n.): Meeting, as between lovers.
Ex: Without telling their parents, Pierre and Marie arranged an ardent rendezvous.
spoon (v.): To kiss and caress.
Ex: Under the moon in June, sweethearts spoon and swoon.
rapture (n.): State of bliss.
Ex: After his first kiss, Woody walked around in a rapture for days.
coquette (n.): A young lady who flirts.
Ex: A winking coquette might distract even the most earnest croquet player.
nubile (adj.): Of marrying age
Ex: Felicity is not allowed to get engaged until she's nubile.
bridezilla (n.): A bridezilla is a bride-to-be who, while planning her wedding, becomes unbearably obsessive, greedy and obnoxious.
nuptial (adj.): Pertaining to a marriage.
Ex: Everyone at the church was elated to see Matilda sob happily as she recited her nuptial vows.
Casanova (n.): Man with many love affairs.
Ex: The singer is such a playboy, just like his famous Italian ancestor Giovanni Casanova.
rendezvous (n.): Meeting, as between lovers.
Ex: Without telling their parents, Pierre and Marie arranged an ardent rendezvous.
spoon (v.): To kiss and caress.
Ex: Under the moon in June, sweethearts spoon and swoon.
rapture (n.): State of bliss.
Ex: After his first kiss, Woody walked around in a rapture for days.
coquette (n.): A young lady who flirts.
Ex: A winking coquette might distract even the most earnest croquet player.
nubile (adj.): Of marrying age
Ex: Felicity is not allowed to get engaged until she's nubile.
bridezilla (n.): A bridezilla is a bride-to-be who, while planning her wedding, becomes unbearably obsessive, greedy and obnoxious.
- Mar 17 Tue 2009 16:42
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【轉錄】柯裕棻:你的「巴黎」在哪裡?《真愛旅程》或(革命之路)
(from https://blog.chinatimes.com/yufen/archive/2009/03/11/383881.html)
在先生法蘭克卅歲生日那一天,妻子艾波對他說,把工作辭掉吧,讓我們去巴黎。我工作養你,你可以過你真正想過的生活,「因為在這裡被扼殺掉的,是你的本質。在這種生活裡,一次又一次一再被否認的,是真正的你。」(頁104)她送了如此的生日禮物:去巴黎尋找真正的生活,尋回真正的自己。但是,正如同我們的直覺反應:事情哪有這麼簡單?
在先生法蘭克卅歲生日那一天,妻子艾波對他說,把工作辭掉吧,讓我們去巴黎。我工作養你,你可以過你真正想過的生活,「因為在這裡被扼殺掉的,是你的本質。在這種生活裡,一次又一次一再被否認的,是真正的你。」(頁104)她送了如此的生日禮物:去巴黎尋找真正的生活,尋回真正的自己。但是,正如同我們的直覺反應:事情哪有這麼簡單?
- Mar 16 Mon 2009 12:29
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【新聞】The effects of the global recession on China
China's return to the land
Why the Chinese government is hoping to lure workers back to a more rural way of life.
Quentin Sommerville reports.
https://news.bbc.co.uk/1/hi/programmes/world_news_america/7938814.stm
Why the Chinese government is hoping to lure workers back to a more rural way of life.
Quentin Sommerville reports.
https://news.bbc.co.uk/1/hi/programmes/world_news_america/7938814.stm
- Mar 16 Mon 2009 11:33
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[書摘]Music Man
From Reader's Digest February 2009, p.97-9, by David Hochman
What we lack in musicianship is offset by our willingness to humiliate ourselves. Failing publicly is the point at Dr Banjo's Bluegrass Jam Camp, where I have come to strum alongside kindred spirits - those whose families couldn't bear the twanging anymore.
My path to musical greatness was diverted roughly 30 years ago. At age 11, after three years of indentured servitude to my crabby piano teacher, I was at the Baldwin upright when my father and I (in matching three-piece corduroy suits, no less) sang "Heart and Soul" for the extended family. The cheek pinching afterwards was the final straw. I vowed never to play again.
In the decades that followed, any urge tp express myself musically had to be exorcised in the privacy of my shower or car. And while I could clap and snap at all the high parts of Queen's "Bohemian Rhapsody", so could a howler monkey. As I approached 40, I felt a craving to actually play something - and not just my iPod.
What we lack in musicianship is offset by our willingness to humiliate ourselves. Failing publicly is the point at Dr Banjo's Bluegrass Jam Camp, where I have come to strum alongside kindred spirits - those whose families couldn't bear the twanging anymore.
My path to musical greatness was diverted roughly 30 years ago. At age 11, after three years of indentured servitude to my crabby piano teacher, I was at the Baldwin upright when my father and I (in matching three-piece corduroy suits, no less) sang "Heart and Soul" for the extended family. The cheek pinching afterwards was the final straw. I vowed never to play again.
In the decades that followed, any urge tp express myself musically had to be exorcised in the privacy of my shower or car. And while I could clap and snap at all the high parts of Queen's "Bohemian Rhapsody", so could a howler monkey. As I approached 40, I felt a craving to actually play something - and not just my iPod.
